Some books were once as common in classrooms as pop quizzes and number-two pencils. But times change, and so do school reading lists. These authors used to be staples in literature discussions, their works sparking debates, tears, and sometimes groans from the back row. Now, they’re mostly gathering dust on library shelves. Here’s a look at the writers who’ve quietly slipped out of the curriculum spotlight.
Khaled Hosseini

For a while, The Kite Runner was a classroom favorite thanks to its gripping storyline and emotional depth. It gave students a window into Afghan culture and the weight of personal choices. However, recent curriculum changes tend to lean toward domestic authors or newer global titles.
Katherine Paterson

Bridge to Terabithia left many middle schoolers emotionally wrecked. It tackled grief and friendship with honesty, which may be why some schools considered it too intense. Paterson’s ability to respect her readers’ intelligence set her apart, and she even served as National Ambassador for Young People’s Literature.
Stephen King

Not everyone realizes King’s work once appeared in high school electives. Stories like Carrie and The Body were character studies that got students talking. Over time, though, his darker themes and graphic scenes made school boards uneasy.
Harper Lee

To Kill a Mockingbird used to be standard in American classrooms. Its quiet take on justice and morality stuck with readers long after exams. However, discussions around humanity and representation have led some to replace it with more contemporary voices. Still, Lee’s influence on American literature hasn’t gone away.
George Orwell

1984 and Animal Farm were go-to texts for introducing dystopian fiction and political theory. Orwell’s critiques of power and propaganda once lined curriculum maps coast to coast. Modern educators often opt for more contemporary voices. His volunteerism helped shape his distrust of authoritarianism.
Mitch Albom

In the early 2000s, Tuesdays with Morrie was the go-to for life lessons in paperback form. It was like modern meditation on what really matters. Albom’s conversational tone resonated with younger readers, but the book’s moral messaging fell out of favor as school curricula got more analytical.
Anne Frank

Anne’s diary used to be an essential part of the WWII units. For generations, students met Anne through her own words while witnessing history through the eyes of a teenager. Though still widely available, the book isn’t assigned as often.
Theodor Seuss Geisel (Dr. Seuss)

His rhymes used to be everywhere in early reading programs and helped generations of kids fall in love with books. However, some of Dr. Seuss’s older illustrations have come under fire for stereotypes, which have led some schools to shelve specific titles.
Ray Bradbury

Fahrenheit 451 lit up English class debates about censorship and technology, but today’s curricula often lean into newer dystopian novels. Still, Bradbury’s future-obsessed storytelling feels oddly relevant, especially in a world of smart devices and attention spans measured in seconds.
S. E. Hinton

Hinton opened the door for young adult literature before that was even a genre. Written when she was just a teen, The Outsiders spoke directly to ninth graders about loyalty and rebellion. It gave many students their first taste of gritty realism.
William Golding

If you ever read Lord of the Flies in school, you probably remember the conch, the chaos, and the unsettling realization that kids can be terrifying. Golding’s bleak take on human nature has been eased out in favor of stories with more hopeful arcs.
Zora Neale Hurston

Their Eyes Were Watching God brought Black Southern life and dialect into literary discussions. Hurston’s style was bold, lyrical, and sometimes controversial. Her work faded from classrooms for years, reappeared during curriculum overhauls, and lately has disappeared again.
Richard Wright

Native Son used to push students into tough conversations about humanity and social pressure. Wright’s novel didn’t flinch—and neither did he. But today, its graphic content often lands it on banned lists or gets left off reading guides. Despite that, his role in shaping African American literature remains untouchable.
Elie Wiesel

Wiesel was a Nobel Peace Prize winner and humanitarian who dedicated his life to human rights and remembrance. His memoir Night made the horrors of history personal. It was a difficult but essential read in many classrooms.
Lois Lowry

Middle schoolers read The Giver and walked away questioning everything about society, memory, and free will. Its subtle, unsettling tone made it both accessible and deep. Lowry’s storytelling remains a gateway into speculative fiction for younger readers, even if the classrooms have questioned its dark themes.